All Corrado Giaquinto Oil Paintings

1703-1766 Italian Corrado Giaquinto Galleries He was born in Molfetta. As a boy he apprenticed with a modest local painter Saverio Porta, (c1667-1725), escaping the religious career his parents had intended for him. By October 1724, he left Molfetta, and along with his contemporaries Francesco de Mura (1696-1784) and Giuseppe Bonito (1707-1789), he trained from 1719-23 in the prolific Neapolitan studio of Francesco Solimena, either with Solimena or his pupil, Nicola Maria Rossi. Throughout his life, Giaquinto was a peripatetic painter, with long sojourns in Naples, Rome (between 1723-53), Turin (1733 and 1735-9), and Madrid (1753-1761). In 1723, he moved to Rome to work in the studio of Sebastiano Conca. He painted in San Lorenzo in Damaso, San Giovanni Calibita, and the ceiling at Santa Croce in Gerusalemme. In March 1727, with Giuseppe Rossi as an assistant, Giaquinto opened an independent studio near the Ponte Sisto, in the parish of Saint Giovanni of the Malva in Rome. In 1734, he married Caterina Silvestri Agate. The first documented work by his hand is Christ crucified with the Madonna, Saint John Evangelist, and Magdalene commissioned in 1730 by king John V of Portugal for the cathedral of the Mafra. In 1731, he received a prestigious commission, to execute frescoes in the church of San Nicola dei Lorenesi: Saint Nicholas water gush from cliff, three theologic and cardinal Virtues, and in the cupola Paradise. The latest restoration confirms Giaquinto stylistic independence from Solimena, and reveals his stylistic dependence on Luca Giordano.
 

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Corrado Giaquinto  Justice and Peace oil on canvas


Justice and Peace
Justice and Peace
Painting ID::  1474
  1759-60 Museo del Prado, Madrid
  1759-60 Museo del Prado, Madrid

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Corrado Giaquinto Saints in Glory  S oil on canvas


Saints in Glory S
Saints in Glory S
Painting ID::  1475
  1755 Museo del Prado, Madrid
  1755 Museo del Prado, Madrid

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Corrado Giaquinto Birth of the Virgin oil on canvas


Birth of the Virgin
Birth of the Virgin
Painting ID::  30009
  mk67 Oil on canvas 28 3/8x40 9/16in Uffizi,
  mk67 Oil on canvas 28 3/8x40 9/16in Uffizi,

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Corrado Giaquinto The birth of the Virgin oil on canvas


The birth of the Virgin
The birth of the Virgin
Painting ID::  42055
  mk166 1753 I Wave sbre cloth 72x103cm Uffizi, Florence
  mk166 1753 I Wave sbre cloth 72x103cm Uffizi, Florence

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Corrado Giaquinto The Brazen Serpent oil on canvas


The Brazen Serpent
The Brazen Serpent
Painting ID::  43283
  mk170 1743-1744 Oil on canvas 136.5x95cm
  mk170 1743-1744 Oil on canvas 136.5x95cm

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     Corrado Giaquinto
     1703-1766 Italian Corrado Giaquinto Galleries He was born in Molfetta. As a boy he apprenticed with a modest local painter Saverio Porta, (c1667-1725), escaping the religious career his parents had intended for him. By October 1724, he left Molfetta, and along with his contemporaries Francesco de Mura (1696-1784) and Giuseppe Bonito (1707-1789), he trained from 1719-23 in the prolific Neapolitan studio of Francesco Solimena, either with Solimena or his pupil, Nicola Maria Rossi. Throughout his life, Giaquinto was a peripatetic painter, with long sojourns in Naples, Rome (between 1723-53), Turin (1733 and 1735-9), and Madrid (1753-1761). In 1723, he moved to Rome to work in the studio of Sebastiano Conca. He painted in San Lorenzo in Damaso, San Giovanni Calibita, and the ceiling at Santa Croce in Gerusalemme. In March 1727, with Giuseppe Rossi as an assistant, Giaquinto opened an independent studio near the Ponte Sisto, in the parish of Saint Giovanni of the Malva in Rome. In 1734, he married Caterina Silvestri Agate. The first documented work by his hand is Christ crucified with the Madonna, Saint John Evangelist, and Magdalene commissioned in 1730 by king John V of Portugal for the cathedral of the Mafra. In 1731, he received a prestigious commission, to execute frescoes in the church of San Nicola dei Lorenesi: Saint Nicholas water gush from cliff, three theologic and cardinal Virtues, and in the cupola Paradise. The latest restoration confirms Giaquinto stylistic independence from Solimena, and reveals his stylistic dependence on Luca Giordano.

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